Carlos Fontales on the Art of Creation and Tradition
For Carlos Fontales, basketry represents more than just a craft; it is a means of disassembling the complexities of a world he neither entirely nor has ever understood. In an era where productivity is often equated with profitability, Fontales finds solace and purpose in the act of creation. He sees basketry as an excuse to research, ask questions, learn, observe, and discover new people, occupations, lifestyles, places, and mysteries. This journey into the world of basketry is not about seeking external validation or profit but about finding sheer pleasure in making things with one's hands.
Fontales emphasizes the simplicity and independence inherent in traditional basketry. It requires nearly no tools or machines; the hands do everything necessary. This autonomy is immensely enriching, especially in today's world where mass production dominates, and the act of creating something independently has become rare. Fontales points out that those who wish to engage in handmade crafts often pass through a store's cash register to acquire the necessary tools. In contrast, basketry offers a direct, unmediated connection between the maker and the material.
In his research, Fontales delves deep into popular basketry—the kind traditionally made by farmers, fishermen, and cattlemen, for whom basket-making is just one of many daily activities. His focus has been on studying the techniques and materials employed in this craft. This research has led him to spend significant time with older individuals in remote areas of Spain, who are the last bearers of this knowledge and masters of their art after dedicating their lives to this work. Fontales acknowledges that separating basketry from the broader context of these individuals' traditional ways of life can be misleading. His work has, therefore, expanded to include the craft of basketry and the daily lives of these old farmers and fishermen.
Fontales has documented this rich heritage through hundreds of hours of video recording, thousands of pictures, and extensive notes. He believes that understanding traditional basketry necessitates recognizing the interconnectedness of various tasks in traditional life.
Fontales also addresses the idea of "Spanish basketry," noting the inherent contradictions in such a term. He argues that local traditions in basketry are defined not by political boundaries but by geographical features, such as valleys, rivers, and mountains, which shape the distinct characteristics of basketry in different regions. Vegetation, landforms, customs, and climates all contribute to the diversity of basketry practices, making the term "Spanish basketry" a convenient but ultimately inadequate descriptor.
By embracing the diversity and richness of traditional basketry, Fontales' work reminds us of the importance of preserving and understanding these ancient crafts. It highlights the pleasure and fulfillment of making things by hand and the deep connections between craft, culture, and daily life. Fontales' dedication to his craft and extensive research offer valuable insights into the world of basketry, emphasizing its role as a means of creation and a way of life. This research is part of his work, including disseminating this knowledge through courses, combining the tradition with some contemporary elements.
Text based on Carlos Fontales in "Viva Basket", publicação de Stowarzyszenie Serfenta, Sunnhordland Museum e Sore Skogen 2015 and “More than Baskets - Spanish Basketry”, Carlos Fontales 2005.
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